Neile Graham
The Goddess of the Visible Invisible
If she were anything, she'd be a bird, small and brown the colours of the earth around her, umber, mahogany, cedar, and dust. The shade of dirt, of the branches she clutches and hides between. She cannot be seen beyond the flash of wings, her startle among the leaves. Who is she, the twitch of fears both big and small? The rawness of what is and cannot be. Hidden, she sings about her turf, the air between her branches and how you must stay away, you and you and all those crows, thieves of eggs and children, each note a warning. Does it matter if she can only wound you with her words? They're what she has, what she’s best at. If not for those, you’d notice her. Not noticing her is what she's best at. But she has wings and she's that bit of rustle that burst of air that she draws In, pushes out and spins around you. She is nothing if she does not sing. She sings. The God of-- Waiting just on the brink of-- a cliff, a kiss, a dream a dream of-- whatever you imagine now splayed in summer light under the tree where tiny apples have begun to burgeon as they eat the light pulling everything, everything from the suspending branches the archeology of years tamed inside the column of bark reaching down-- down and through all the messages antlering through the soil feeding and being fed and feeding it’s the book fallen from your hand dressed in paper anointed in ink like your fingers your eyes are closed-- your hands open your palms open to-- the weight of the air the messages borne-- by apples, by the words on those spread pages, by the scent and feel of-- the ground you tend pressed beneath your spine The Goddess of This Of being here. The goddess of lives alive. Look down to the so-close sight of our toes side by side and sinking in sun- warmed sand, grit swelling up over dusty sweaty skin. Beside them one hand poised to dig in. To dig out a wave-tossed cloud-streaked stone, while yet another hand lifts, traces the horizoned trail of the longing calls blistering from the gulls as they swing by then land to dress the shore as if their bodies were beautiful. Their bodies are beautiful. The good grit in my palm sifting the sand the stone the waves of sun of longing onto you. My open hand on you. Neile Graham is Canadian by birth and inclination, but is a long-term Seattle resident where she can still live close to salt water and rainforest. Her work has recently appeared in Amethyst Review, Lady Churchill's Rosebud Wristlet, The Thieving Magpie, and Mad Swirl. Her most recent collection, The Walk She Takes, an idiosyncratic tour of Scotland, appeared in 2019. She also has three previous collections and a spoken-word CD. She recently retired from 19 years of wrangling writers and schedules for the Clarion West Writers Workshop; she won A World Fantasy Award in 2017 for that work. See neilegraham.com for more information. |