Damon Hubbs
Compote
Blackberries vanilla, orange zest, cardamon arrowroot to thicken before the transubstantiation is the blackberry aware of its reputation the historical echoes of long-separate incidents. Berrying the bramble wall, a summer ritual that cat claws children’s hands in red-black drupelets, always reaching for the sun-fattened berries atop the briar, torn and tangled in the bramble-kite higher and higher until swept away. Lucifer, when cast from heaven, fell from the sky onto a blackberry bush, and now the archfiend rides the hedges on Michaelmas Day, his face smeared with the last of summer’s blood. The Toy Chest This much we know is true or so the story goes that when the fairy-wand turned up it wasn’t cloaked in the watchful eye of an owl-faced tree deep in the Hercynian forest, or hidden in the heart of a fox-earth scattered with five-petaled lilacs and freshly churned butter. It hadn’t been lost like a set of spare keys under the doormat of a Highland brownie stone, beside an offering of milk and bread nor did the woman on the Red Line mistake it for an umbrella and tuck it under her wing on a rainy day in Boston. It wasn’t discovered in a bouquet of Arum lilies by a local nurseryman fearful of harbingers, or threaded into a garland of milkmaid flowers or traded for a bracelet with a silver bird clasp. When it was found, at last, the fairy-wand had been cast aside, waywardly buried at the bottom of an old toy chest amongst a bestiary of once-familiar animals, wooden blocks, broken teacups, an old rag doll with red thread tied around its throat, and a white horse, its mane unfurling like a gilded tapestry, searching for its spiral horn. Damon Hubbs lives in a small town in Massachusetts. He graduated with a BA in World Literature from Bradford College. When not writing, Damon can be found growing microgreens, divining the flight pattern of birds, and ambling the beaches and forests of New England with his wife and two children. His work has appeared or is forthcoming in Book of Matches, The Chamber Magazine, and Eunoia Review. |